Where Ideas Actually Come From
Ideas don’t arrive fully formed. They start as small, sideways questions — the kind that won’t leave you alone once they land. That’s where stories actually come from.
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Ideas don’t arrive fully formed. They start as small, sideways questions — the kind that won’t leave you alone once they land. That’s where stories actually come from.
Where Ideas Actually Come From Read More »
Every December, writers are supposed to talk about numbers and goals. But what really matters is the reader—the person who gives a book their time and lets a stranger’s words take up space in their head. This is a writer’s Christmas list, not of wants, but of hopes: time to read without guilt, stories that feel like company, and the reminder that books matter because they connect us.
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Big explosions are fun, but they’re not what makes a thriller truly terrifying. The real fear hides in the silence—the still moments when nothing’s happening, yet you know something’s about to. From No Country for Old Men to Saving Grace, Mark Posey explores why quiet scenes hit harder than gunfire—and why the pause before the door opens is the scariest sound of all.
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Mark Posey shares the five thrillers that rewired his brain — from First Blood to Cujo, these are the books that taught him how to build tension, twist morality, and keep readers one heartbeat away from panic.
Five Thrillers That Ruined Me (in the Best Way Possible) Read More »
Why do authors put their characters through hell? Because without conflict, there’s no story. In Confessions of a Sadistic Author, Mark explains why Jacobine, Billings, and the rest of his cast are constantly battered and bruised — and why their scars make them unforgettable.
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