thriller fiction

The Quietest Moments Are the Scariest

Big explosions are fun, but they’re not what makes a thriller truly terrifying. The real fear hides in the silence—the still moments when nothing’s happening, yet you know something’s about to. From No Country for Old Men to Saving Grace, Mark Posey explores why quiet scenes hit harder than gunfire—and why the pause before the door opens is the scariest sound of all.

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So, You’ve Spoken (and I’m Listening… Mostly)

The votes are in, the ballots counted, and my writing schedule is now set—thanks to all of you. Fall From Grace is up first (yes, Thomas Billings is about to get shoved off an emotional cliff). Next comes Sister Jacobine #7—because apparently six books of bullets, assassins, and bad coffee weren’t enough for you. And finally, Credible Threat, Season 2 rounds things out. I’ll admit, I briefly considered ignoring the results and writing a cookbook instead—“101 Ways to Kill a Man With Kitchen Utensils” still has a nice ring to it—but you spoke, and I’m listening. Mostly.

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